“I honestly see things as very simple,” says Pitt later in the conversation. Filling in the details in Pitt’s bebop conversation is like reading the footnotes to Finnegans Wake: you may think you’ll understand more, but the only thing that matters is the rhythm. And he doesn’t like to talk about it, because he doesn’t want his turning it down to make people think there’s something wrong with it, and also, he doesn’t want people knowing his business. Pitt was offered the lead in the film version,0 but passed because, after Interview and Legends, he couldn’t stomach another depressing story. Here are the facts: A Simple Plan, by Scott Smith, is about a man who discovers $4.4 million in a downed plane, and how this money screws him tighter and tighter to disaster. Actually, I don’t even want to talk about it. Uh, novel or nonfiction? “Novel, definitely novel,” Pitt says. Have you read a book called A Simple Plan? Really interesting.” The majority of people are right, coming from where they’re coming from, no matter how morally incorrect, or politically incorrect, or status-quo incorrect it seems. Pitt will say, “All people I find interesting, in the fact that all people are basically good, and yet life is tough. Say you stumble onto the topic of people’s intentions. By the end of this encounter, the only thing you will learn absolutely for certain is that Pitt is not one of those people who rush to fill the silences in a conversation. There will be no blurting, no confessing, no psychologizing or philosophizing. There will be no eking details out of Brad Pitt. This man’s journey seemed very accurate to me and very true.” His answer: “Sinking below, rising above, going off, giving up, taking charge, taking control. That answer is much too literal for Pitt. Most people would answer something like, It’s about a Montana rancher named Tristan before and after World War I who falls in love with the wrong woman, betrays his brothers (played by Henry Thomas and Aidan Quinn, with Anthony Hopkins as their father), slips into madness, and eventually earns a clear-eyed sanity. And in Legends of the Fall, as he leans down from his saddle, he’s nothing less than a force of nature-untamable, unknowable, and (aptly) unspeaking.Īsk the question “What’s Legends about?” Go ahead, ask. In Interview, he casts his eyes to heaven and you know his big heart aches. In A River Runs Through It, he grins a cockeyed grin and *boom-*he embodies the doomed beauty of youth. “His emotions are all right there on the surface,” says Tom Cruise, his Interview co-star. As an object, he’s as lovingly photographed as any woman or mountain or sunrise. Ever since his honey-voiced hitchhiker in Thelma & Louise sent a million women into the soft summer night thinking $6,600 was a small sum to lose, he has known how to stand still and let the camera drool. Pitt, now 31, makes an art of effortlessness. “You need an awful lot of charisma to be in a movie where someone else does all the action. “In Interview with the Vampire, Brad’s character is very passive,” says Interview producer and mega-mogul David Geffen.
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