![]() Recently she recorded an album with the Berlin artist Danielle de Picciotto. Boadams) or with Ana da Silva from the London Raincoats, among others. She has worked with New York producers and bassists Bill Laswell and Jim O'Rourke, with the Japanese underground supergroup Novo Tono, with Seiichi Yamamoto (ex. Translucence (1981) Nyrabakiga Nyrabakiga (1981) Single Jocy de Oliveira Estórias para voz, instrumentos acústicos e eletrônicos (1981) Vivien Goldman Dirty Washing (1981) EP Akiko Yano (Tadaima.) (1981) Lizzy Mercier Descloux Mambo Nassau (1981) Phew Phew (1981) Social Climbers Social Climbers (1981) The. ![]() The albums “Japan’s underground legend” (Pitchfork) created over the last 40 years have gone from record store rarities to being included on many “best of” lists. ![]() Phew then went on to release her first solo album in 1981,which was self-titled and. Since the beginning of the 2010s, she has released a series of works that combine voice and electronic music, and has gained international recognition as an electronic artist in the experimental music scene. Phew is the debut album by Japanese singer Phew, released in June 1981 by Japanese label Pass Records run by Yoshitaka Goto and recorded at Conny Plank. Album reviews, biography and music news for Phew at sputnikmusic. After the band’s breakup in 1979, she continued her career as a solo artist, releasing a collaborative single with Ryuichi Sakamoto in 1980, and her first solo album with Conny Plank, Holger Czukay and Jaki Liebezeit of CAN, and with Alexander Hacke from Einstürzende Neubauten in 1981.Her third album Our Likeness, released in 1992 on Mute and re-released in 2023, was also recorded in Conny Plank's studio and counted on the support of Liebezeit, Hacke and Chrislo Haas from DAF. members of Germanys Can on her self titled 1981 debut album. Phew was a founding member of the legendary avant-garde punk band Aunt Sally in the late 1970s. Phew (Hiromi Morintani) has been working in the field of adventurous music since 1978. “On her 1992 album, the iconoclastic vocalist and her band of German experimentalists pushed each other to virtuosic extremes, spanning styles and genres.Presented by silent green + Digital in Berlin Read here about the reissue of her 1992’s Our Likeness, released on February 17 via Mute. She worked solo with musicians such as Ryuichi Sakamoto, Holger Czukay, Jaki Liebezeit, Chrislo Haas, Alexander Hacke, Yuji Takahashi, Seiichi Yamamoto, Hiroyuki Nagashima, Otomo Yoshihide in the group Novo Tono, Dieter Moebius on Phew’s Project Undark Radium Girls project, Jim O’Rourke and Ana da Silva. The albums she created over the last 40 years have gone from record store rarities to being included on many “best of” lists. a two-song single, and in 1981 Pass Records released her debut album. 0:00 - Univision ID (1990-1992) NOTICIERO SIN 0:10 - 'Noticiero Nacional SIN' (1981-1983). Label: Pass Genre: Post-Punk/Electronic/Avant Garde/Experimental Format: LP Year: 1981 Japanese press. ![]() This video contains news opens from Noticiero Univision from 1981 to present. Pitchfork calls her a “Japanese underground legend”. Phews career began in the late 1970s as lead singer of Osaka punk group Aunt. Anyway, lets get on with the compilation. Pass Records issued her debut LP, a classic featuring Holger Czukay and Jaki Liebezeit of Can, and Conny Plank. Ryuichi Sakamoto produced Phew’s first solo release in 1980 and in 1981. Industrial, Post-Punk Killer debut LP recorded by Japanese avant-garde vocalist and serial collaborator Hiromi Moritani with the self titled Phew LP. Her career began in the 70s when she fronted Osaka punk group Aunt Sally (who released one album on Vanity Records in 1979). Silent green and Digital in Berlin are happy to present the return of Avant-garde vocalist, electronics innovator and post-punk artist PHEW. ![]()
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